happinez

{new work} VISUAL ODE TO THE CIRCLE...

I do not know how this photographic feature slipped by without being shared with you (such is life over the past 2 years!) - it was featured in issue two for 2021 of Happinez. It is my favourite of all time & marks a very important change in my life - it is the first shoot in my new hometown, a ten year long goal actualised. To receive this brief from Happinez in the first month of moving up to the Northern Rivers was wonderful and felt serendipitous.

The issue is all about silence - harnessing the power of silence and stillness, listening deeply, listening within. And for this I was asked to focus on the circle, being the symbol of silence and stillness. The circle is also the hallmark of Happinez. There is always a circle on each cover and this story honours the circle as the center of silence. As Albertine wrote to me in our briefing, “Inside the circle it is quiet. The more you go to the middle, the more quiet it is. The circle is a symbol for eternity, no beginning and no end. A perfect nothing.”

I had so much artistic freedom with this shoot, playing with the elements of earth, fire, air and water and finding ways to express the circle & stillness. I wanted each photograph to be a work of art.

The first image above was harnessing the stillness in sound - using the Tibetan singing bowl as my inspiration. I just loved how it played off the texture of the rich soil and beach grasses.

The moon and planets were my inspiration for the second image above. The well-worn studio floor was my backdrop, with it’s beautiful paint tin rust stains. The plate and bowl are by Made of Australia from Shack Palace, and the Black Clay ball soap is from my favourite soap makers in the world, Est Australia - I have been buying their soaps and carrying them with me around the world for 20 years! I stocked their incredible soaps in my homeware store all those years ago, and have never stopped ordering from them as a customer since.

For this photograph I place a gorgeous handmade cast iron plate in the centre with seaweed from my local beach. I sprinkled sand on the dark surface along with dried flowers from my aged flower collection and inside the jar is gold leaf paint, sitting on the surface of the water. There are layers to this work and when you look closely you may see them.

Element: Water. I wanted to make a dream-like rock pool. I was inspired by my visit to Shelly beach which has so many beautiful rock pools, so I wanted to create something like this - the idea of looking into this water hole and wanted to dive into it. Laly and I call it the fairy pool. And this special creation became our outdoor table centrepiece for the following months, it was beautiful to look at and play with, contemplating which creatures - both earthly and enchanted - came to visit the fairy pool during the night hours.

Again I photographed this on my concrete studio floor, adding sand from our beach, and also some seaweed. The bowl I found a few years ago - someone had discarded it on the side of the road. So many of the most wonderful pieces in my home have come from the side of the road. The green colour of this bowl is gorgeous, I love it. Inside the bowl are barnacles, shells, dried flowers and moss. Floating on top of the water are a couple of dandelion heads - I love the symbol/message of the dandelion and also it’s circular/round form.

Element: Earth. This vine of dried grass was growing inside my studio, near the door. I absolutely loved the idea of shaping it into a circle form. I wanted an earth element but something surprising - I didn’t want to make a wreath or mandala which felt a bit obvious, and I love how this turned out - so simple but it took me a long time to try to get it right. The vase is handmade, it was given to me some years ago by my friend Zoë.

Element: Fire. This photograph for me weaves together my surroundings and heart space. I wrote to Albertine in my description for the photograph, “The clay dishes are very special - they were made by my friend, local artist Natalie Wilkin. Nat is one of the main reasons I moved up here, she is my closest friend, and she is incredibly talented. She makes a range of elemental wares, and this is part of her new collection. Here is her website. Some of the clay for these pieces was sourced directly from her home, a sacred piece of land in Moorang-Moobar Country.

I hope you enjoy these special photographs and the creation stories behind each of them.

With love,

Pia x

{new work} with Happinez...

It’s been a while since I’ve updated my published work here on the journal. There has been so much going on in the world and in our own personal lives - not just mine, everyone’s, everywhere. I won’t get into it, I need a break, we all need a break. So I’ve set myself the task to update this journal space with the work I’ve done with Happinez these past 6 months, and then I am aiming to get back into online journalling, with the hope to get a rhythm and flow with writing and sharing.

This visual story was special - I know I probably say that for all of them! And it’s true, they are all special, but I’ll explain what made this one special for me…

These photographs were featured in the Happinez Astrology edition, and the brief was to create and photograph six ideas that readers could make astrology-inspired objects. I shot it back in June 2021, so I had the beautiful soft Australian winter sunlight to play with. The reason this particular visual story is special is because it features so many of my friend’s incredible creations.

I commissioned Kaspia to make three of the ideas and I love what she made! I also shot two of the photographs at her house. Above, she is modelling the zodiac sign talisman necklaces she made - her beauty knows no bounds. And below, she made this gorgeous hand-stitched moon & stars embroidery hoop which nestled so well on the shelf in her sunroom…

I wanted to make this visual story dreamy. I loved playing around with the light and layers.

It’s such a pleasure to be able to work with the creation’s my friends make. This unique drinking vessel is made by Nat, using clay from the land she calls home, on Moorang Moobar Country, nestled into Wollumbin National Park. I added the stars inside the tea cup to symbolise the magic of drinking tea under the stars. But I also loved the idea of creating a constellation in the base of a tea cup - would any claymakers out there like to create this idea? If so let me know!

I am holding the cup - and taking the photograph - yep I like to make work challenging sometimes. It’s mostly because I come up with the idea and no one else is around so I have to figure out how to do it with what I have. It’s also a good reason to paint my nails gold.

The stunning top I am wearing? This is made by textile designer Joanne Broederlow. I urge you to check out her offerings, they are incredible, I’ve got a growing collection of her wearable art and I love using her textile creations for my photographs.

I created these zodiac rocks by borrowing some of the amazing fallen rocks on the beach of Broken Head near where we live. The colours of the rocks are amazing - rich red, yellow and orange. I used gold leaf to create the zodiac signs, and photographed them on my studio floor, with dried grass and water splashes to create different textures. After the photoshoot, Laly and I carried the rocks back to the beach and placed them around for beachcombers to discover. I wondered who might spot the gold shimmer and wished upon the stars for the discoveries to create some magic in their day.

Kaspia made these gorgeous little matchstick boxes with tiny copper moons and vintage gold velvet. Can we not reimagine matches this way, dipped in copper-coloured posphorous sulfide?

The shimmery fabric I’ve had in my textile stash for as long as I can remember - I think it was in mum’s collection, maybe she had an idea for it, I wonder what, I’ll never know.

And the last photograph in the story is this one above - creating a journal for your planetary learnings. I was so happy to be able to showcase Sam Mackie’s gift to me, her hand-bound Everyday Alchemy book which I absolutely cherish. Have a look here for more of her book creations and you can see her photographs here. I added a golden moon bookmark - I made it by wrapping some gold foil from my snack-time chocolate bars (yes I save all the gold foil and have a big pile of it for projects!) around a cardboard disc, then attaching some gold thread to it, and a pink stone pendant. The background is Jo’s hand-dyed velvet garment, the same as the one I’m wearing in the previous photograph - dreamy.

The gold moon you may have noticed, is my symbol - I use it everywhere. In my next book, you’ll find out what it means to me.

I hope you enjoyed this visual story and the stories behind the visuals! As always it was so much fun to create. Thank you to all the makers who I featured, you’re all amazing and I love that we can all inspire each other in our creativity, it’s truly what makes the world go around!

With love,

Pia

Would you like more? You can:

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{new work} TEA TIME ALCHEMY...

Carrot top tea served with carrot and date mini muffins with beetroot frosting. Teapot and tea warmer from Organic Merchant, plates, coasters and shell spoon made by hand by me.

Carrot top tea served with carrot and date mini muffins with beetroot frosting. Teapot and tea warmer from Organic Merchant, plates, coasters and shell spoon made by hand by me.

Letting them make their own teas with different ingredients, like little alchemists.

"Brewing potions from vegetables and herbs, it looks like witchcraft"

This shoot was for Happi Kids, shot this time last year, August 2020. The brief was "a winter tea party for kids, with 5 different themes" and "very little or no sugar, with gluten and dairy free options" and also "unisex, so that boys can get into the idea of enjoying tea time too". Challenge accepted!

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"Don't throw a bag into a cup of water and you're done. We go into the kitchen together and then, just like the English, take the time for it: tea with lots of goodies. For example, on a rainy Sunday afternoon or when grandparents come to visit. There are four themes - which one do you choose?"

I do love using google translate! This is the opening paragraph. While living in Amsterdam, we realised the Dutch have their very own version of English, complete with its own rhythm and word scrambles. And I do feel google translate has captured it rather well in this translation!

The most incredible handmade tea set by Peacharoo, who made it especially for me for this shoot. Complete with mini teapot, cups, saucers, spoons and milk jugs, all with the most wonderful glazes.

The most incredible handmade tea set by Peacharoo, who made it especially for me for this shoot. Complete with mini teapot, cups, saucers, spoons and milk jugs, all with the most wonderful glazes.

While on the Patreon collective in December last year I posted the whole story as well as a PDF of all the recipes - because they are all delicious and easy, and so great to make with kids, especially now if you’re needing some inspiration while we stay-at-home - here I’m going to share some behind-the-scenes stories for you. First of all as I mentioned in the caption above, I commissioned Peacharoo to make this mini tea set for the shoot, it was such a joy to play with on set, and reminded me of the joyful days working with Peach on commercial shoots a decade ago when I was an interior stylist, and she was an art director. It was always so much fun working with her, my favourite art director for sure.

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Props galore, all made by hand: pink pin cushion made by my great grandmother, Vera, tea set by Peacharoo, spoons by Erins Window and the little My Hearts Wanders dish by Paper Boat Press. On the right, shell spoons made by me using found beach shells, twigs and copper wire.

Props galore, all made by hand: pink pin cushion made by my great grandmother, Vera, tea set by Peacharoo, spoons by Erins Window and the little My Hearts Wanders dish by Paper Boat Press. On the right, shell spoons made by me using found beach shells, twigs and copper wire.

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This was ‘high tea for all’ so I made it rustic and earthy, using rocks as platters and some plates and cups hand formed by Laly and I over the years. Featured here are chestnut cookies dipped in dark chocolate and sprinkled with sea salt - these were absolutely delicious, the recipe is on Patreon. The black bean brownies have become a staple at our house ever since my friend Penny introduced them to me, so I had to include these in the story. And one of my all-time favourite treats, since living in Rovereto, Italy as a teenager and having them straight from the street stall in a newspaper cone every Winter - castagne… roast chestnuts with sea salt.

All props are handmade, found nature, and vintage. Twigs and feathers are a must on all my shoots.

All props are handmade, found nature, and vintage. Twigs and feathers are a must on all my shoots.

Mini Matcha Donuts! Ceramic platter made by me, dishes by Peacharoo, whisk from Organic Merchant.

Mini Matcha Donuts! Ceramic platter made by me, dishes by Peacharoo, whisk from Organic Merchant.

Mini Matcha Ceremony, anyone? How fun to create this for a little tea party! Laly and her friends taste test all the recipes for me so I know how they go with younger tastebuds and these too were a hit, more than I thought they would be! I topped them with a pistachio yoghurt icing.

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Making beauty and mess in my old studio in Balmain. August 2020

Making beauty and mess in my old studio in Balmain. August 2020

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This shot was epic. The concept was “three ingredient cookies” and it needed to be in one photograph. I was the only one on set - recipe testing, baking, styling, photographing, and art directing. This capture tested my multi-tasking and organisational skills to the max.

For this I made Tahini, Honey and Oat Cookies, Cocoa, banana & peanut butter fudge cookies, and Pumpkin cookies with cream cheese filling. All recipes are on my Patreon collective, dated December 21, 2020.

Winter White Tea Party

Winter White Tea Party

I have saved my favourite to last - the Winter White Tea Party for Two. Do you recognise the background? Who knew this vintage chair I picked up at Rozelle Markets 6 years ago would get so much attention!

On the menu for the winter white tea party…

Wild Blueberry and "White Chocolate" Bark

White Chocolate popcorn

Snow Drops

Milky Chai

White Tea

A big thank you to all the makers and creators who have contributed to these feature stories over the years and are inspirations in my every day. I feel like there is just never enough gratitude expressed and communicated, so I won’t hesitate to keep sharing the love. I have more visual stories to catch up with you here. This one, as it turned out, was the last shoot in my Balmain studio, before we relocated to our new home up north, and my new studio.

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For the recipes and more about shoot production, head over the the wandering hearts collective on Patreon. Pia xx

Would you like more? You can:

Listen to the podcast

Read my archived blog when I lived in Amsterdam & Paris

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{new work} DIY DREAMLAND

This was all about creatively deciphering & materialising children’s dreams, and finding ways to honour and nurture those dreams and nightmares. I shot this story back in May 2020 in my studio in Balmain, Sydney, and it didn't come out in The Netherlands until the end of September I think. And due to covid restrictions I haven't received the hard copy, but the team at Happinez sent me the PDF to share with you here.


The following text is an edited excerpt from my Patreon post about it in November 2020, where I share a more raw/in depth look at the process from receiving the story brief from the art director, and how I go about creating the scenes. In the Patreon post, I shared the whole article, and translated it from Dutch to English. I’ll share a couple of these translations with you in this post too…

Excerpt:

This, literally, was a dream shoot for me, on every level! I absolutely loved making this, it was one of those briefs that sent tingles through my body when I read it.

I love conceptualising the ideas for each of these feature stories, it's one of the best parts of the process - something seemingly intangible, and turning it into something tangible. The very first shoot with them back in 2016 was this too - the Christmas shoot which was about finding a visual way to gift experiences rather than objects. So not easy, but so up my alley!  I see clearly now too that part of my joy is in being able to make tangible the intangible. When someone comes to me and says "I don't know how to connect with my intuition" or "I want to create art but I don't know exactly what" it feels like standing by the shore looking out to the vast ocean, I love that place that is on the edge of the unknown, it excites me, I am not in fear of it, I am in awe of it. 

Anyway, I digress! Back to the shoot. 

I was sent a list of dreams, and I had a few of my own from Laly's dream journal (with my help and encouragement she's been writing down her dreams since she was little), then I let my intuition begin it's work, dreaming up dream-making ideas! This is my idea of bliss really. 

It is written in Dutch by Nicole Van Borkulo. I think you'll really enjoy the words as much as the imagery for this, and it's my hope that it will spark some ideas in your own life, not just for the kids but for your inner child, to become aware of your dreams as they are a vital part of connecting with your intuition. Enjoy...

DIY DREAMLAND
Text by Nicole Van Borkulo
Photography and Styling by Pia Jane Bijkerk
For Happi Kids, issue 3 2020

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Intro:

We process the impressions of our day into the night. Dreams feel very real and can range from super funny to scary. Whatever dream your child has had, it is important to take it seriously. If you make a craft together, the fantasy becomes manageable and the dream can have a place... 

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The Monster Pot

Dream type: Monsters, ghosts & witches The top three most common nightmares include chases by monsters or other dangerous creatures. Before these lead to fear of going to sleep, work with your child to come up with a solution to outsmart the monsters. If you let your child contribute ideas, it has a greater chance of success. For example, ask your child if he likes the idea of drawing or cutting the samples he fears from cardboard. As detailed as possible. Put them in a jar, saying a co-invented "monster spell" and put a big lock on it. Because the monsters have now received attention during the day, they no longer have to speak up at night.

This has become one of Laly’s favourite creatures to sleep with. I made it for the shoot but it’s now hers. I made it with textiles I had lying around, and it turned into a sleeping swan.  She calls her “Winter” which I am told you have to say with a French accent “vin-teer”

This has become one of Laly’s favourite creatures to sleep with. I made it for the shoot but it’s now hers. I made it with textiles I had lying around, and it turned into a sleeping swan. She calls her “Winter” which I am told you have to say with a French accent “vin-teer”

The Comfort Hug


Type of dream: Getting lost, losing mum, or dreams that you have lost your way or cannot find your parents occur regularly.

A hug can help with the feeling of being alone:

especially if it is specially made for that. A feeling of safety when there is something nearby that can be firmly grasped when things get overwhelming. Ask your child to draw a creature that she feels connected to, that makes her feel safe - it doesn't have to be a real creature. As to material, you can use whatever you have on hand - an old knitted sweater for some warmth, or soft cotton for cuddling - no washing is necessary, the scent of mum also works wonders.

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Dream flying

Dream type: Flying and falling.

Dreams about flying are often about freedom and liberation from something, falling can indicate insecurity, the fear of letting go of something. It can be scary, so high in the sky, especially when you are out of control. If it is a recurring dream, you can come up with a more pleasant ending to the dream or come up with a tool, in this case, for example, that there is always a cloud nearby that you can land on when it gets too intense, or a nest of a bird where you can make a stopover. You can do this by making a messy ball of white wool and filling it with real flowers from the garden. Literally making something related to the dream makes a fantasy more manageable.

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The rooms in your head

Dream type: The house.

Houses in dreams often represent the dreamer's self-image. All rooms represent something else: the attic can represent the mind, the cellar the subconscious. The condition of a house also says a lot: some rooms may need renovation and others are in very good order. It's fun to imagine what it means, but keep it playful and light, for example by recreating the house in the dreams. Using a box as a base, paint it in a nice color and make curtains from an old piece of fabric. For the props you can cut and paint characters from thick paper, use dollhouse furniture if necessary. Hang the dolls on a string through small holes in the top, or leave it open so you can make them move. The house can be adjusted if something has been "processed".

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"A life without dreams is like a garden without flowers" Gertraude Beese

"A life without dreams is like a garden without flowers" Gertraude Beese

If you’d like to read the full article translation, you can do so by joining my Patreon wandering hearts collective.

With Love, 

Pia xx